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i've never been a bond fan; "it's a bond movie" doesn't work for me in waving off cliches as it would for other genres.
i knew skyfall was beautiful (read bits and pieces about the cinematography) and it didn't disappoint, but i wasn't ready for the ridiculousness of the plot, the sometimes risible dialogue, and the gratuitous sex scene between bond and a character who had just been established as a terrified, abused former child prostitute and who is beaten up and perfunctorily killed in the very next plot development.
judi dench gives an air of dignity and gravitas to all scenes she is in (even the poetry one, even the diy traps one - which would have been a fine scene in a movie where it doesn't highlight how bad of a decision being there was) but she can't change clunky dialogue and the all-around horrible plot of the last stretch of the movie.
i'm not a bond fan. i find an on-the-run villain (with accomplices) using an explosive just at the right time and location to stop bond's pursuit via crashing (empty) subway ridiculous instead of charming. i still don't get why the villain had to get himself captured - and this in a movie where both he and q brag about being able to do horrific nefarious activities with just a bit of typing on a keyboard. the needlessly convoluted bond plots seem just lamer in the present day.
i guess it could be read as camp, but the movie also serves up a dark dark knight rises moment for bond (not that it matters one bit where it counts) and switches to a quiet and stripped down setting (with personal attachments, obvs) for the ending. retreating there made no sense, the destruction of a house that was no longer his just kept me wondering what will happen legally and financially, the plan to hide in the only other building was bafflingly stupid, the dialogue with the grizzled old man was just bad, but the shots from the start of this (the drive) to the end were oh-so-pretty.
i probably would have enjoyed it equally as much as screenshots.
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